Before The March
11x14
inch acrylic painting on gallery wrapped canvas
This
blog post is starting off an occasional series of paintings featuring
my take on the local suffragist movement to pass the 19th
Amendment granting women the right to vote. I want to highlight
local women's contribution to that cause. In researching the
suffragist movement, I found a lovely photo on the Clarksville Arts
and Heritage website.....
Clarksvillian
Constance Rudolph (first row, center) is only one identified, date
unknown.
(photo courtesy of the Montgomery County Archives)
(photo courtesy of the Montgomery County Archives)
Seeing
all the lovely young ladies in white, being shepherded by two women
leaders in dark suits and bowler hats......I couldn't help but wonder
what the scene might have looked like as they were gathering together
before their march. I love imagining what might have happened
before/after a photograph was taken.
So I
began to design a composition.....
I
settled on a sunlit bit of grass for the suffragists to gather
together into their march formation. I really wanted to highlight
the young ladies white dresses and straw hats or “boaters”
against the contrast of the shadowed trees. I also wanted to add in,
in the background, a few male onlookers scoffing at the gathering.
The symbolism of the gentlemen in dark suits and hats, lurking in the
shadows of the trees against the white of the sunlit young women's
dresses was a compositional perk not to be wasted. I also liked the
“messaging” of the two march leaders.....dressed in “serious”
dark dresses and suit coats with the “take charge” bowler
hats....usually only worn by men. I did want to note that there was
in the photograph, a couple of men in the group....whether
sweethearts, brothers, or “suffra-gents”. To add this note, I
added one young gentleman talking to the standard bearer on the
right.
Here
I've gotten the composition firmed up and gotten the basic colours
set in. I had added in some white marking a curb......as a design
feature. I wanted to draw attention to the urban setting for the
march and as visual “pointer” to an out of sight young lady
rushing to join her friends in the group. In the finished version I
put the young lady running towards the group in the main front view
to connect the curb and the background hecklers. This is done on a
deep gallery wrapped canvas.....so she is finished out “around the
corner” so to speak.
I've had
a blast painting this subject, and even more fun researching the
stories about this movement.
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