Portrait of Dorothy Dix (detail)
Mixed Media (Colored pencils both Prisma & Polys and acrylic paints with text on paper glued to the surface) on black illustration board
Portraits painted from Dorothy Dix photos used with kind permission, of Austin Peay State University’s Felix G. Woodward Library, Archives and Special Collections.
This week I'm talking a bit about the finish of my portrait of “turn of the last century” advice columnist Dorothy Dix. She was sort of a “early day Dear Abby”, who hailed from Todd County, Kentucky. This portrait along with four of my other historical illustrations, were featured in Historic Todd County's recently published book: T is for Todd County. You can see more about this book project and where you can purchase a copy at:
After doing her early portrait in coloured pencils, as I blogged about here: http://lyneartblog.blogspot.com/2017/05/dorothy-dix-project.html
I moved onto her elder self, in her 80s. This was also done in coloured pencils. I wanted this version of her to reflect her almost ethereal grandmotherly self. She was often referred to as the “Confident of the Nation” as readers would send letters confiding their problems, seeking her advice. Finally I painted in acrylic paints in the center, Ms. Dix in her heyday in her mid 50s.
Here you can see I'm closing in on the finish:
After I'd gotten the three portraits to suit me, I gave the overall painting a good review. I had wanted from the beginning to emphasize the central portrait, of Ms. Dix in her prime career years. I had emphasized that by making her skin in full colour, working from the old black and white photo,(as were all three source photos). Painting the acrylics on the surface of the black illustration board made the center image “POP!”. I also painted the most detail, and upped the value contrasts of the center portrait.
The other two portraits (in her 30s and her 80s) were in coloured pencils. This made them recede a bit since the coverage of the coloured pencils can't compete visually quite as much as the opaque paints. I still wanted to emphasize this a bit more. So I went back in with my handy dandy eraser and rubbed out some of the more intense colours and lights, making those two portraits fade just a bit more.
And here is the final version of the project:
I've had a blast working on this portrait, and I've really enjoyed getting to “meet” Dorothy Dix!
I wanted to also say a heartfelt thanks to the kind folks at Historic Todd County for jurying my historical illustrations into this lovely book project.