The
Discussion
8x10 inches acrylic on stretched canvas
This
post is some more about my current fav “sketching” technique. I
wanted to do a little painting sketch, on a small 8x10 inch stretched
canvas. My primary technique goal was to paint the figures very
broadly and try not to return to my habitual detailing,
detailing...detailing. Now stretched canvas is VERY springy.....in
other words if you tried to trace off a pencil sketch.....it bounces
with every lick of the pencil. Besides canvas weave is also very
bumpy.....the canvas texture is very visible.
So......I
took the long way 'round.....I traced my sketch onto a piece of heavy
tracing paper, and cut out the figures. I taped the cutout paper over
my canvas and brushed on the very green grass.
This let
me get a good clear outline of the silhouettes of the three figures
and let me paint in the cool dark colours of the background without
worrying about dashing paint over into the facial areas.
It also
let me work confidently on getting the intense color of the green
grass with the warmer grass colour along the center line of the
painting closest to the main area of interest.....the head and
shoulders of the talking figures. And concentrate on getting the
background crowd dark and greyed enough to be a perfect backdrop for
the central foreground figures.
I was
following a bitty scribble chart noting that I wanted a cool
background to transition to a warm foreground. I wanted my two
contrast points of interest to be on the two groupings of the three
figures. Everything else was going to be muted, and less distinct to
leave the focus of the painting to be the three figures having their
discussion.
Here you
can see my strategy for painting the facial features....without
painting lines and too much details for the very small space. At
this size things were a bit fiddly, but it worked. I also adapted
the practice of having three brushes going at the same time.....one
with a light flesh tone, one with a mid tone and a third with a very
dark tone. I just painted in the mass tones of the faces.....and let
it dry.
I took
the “finding marks” of the shadow masses and went off painting,
using them as my guide for facial feature placement. I wasn't
satisfied with my pencil sketch's features or hair or in one case,
arm placement. All easily worked on and changed as I painted.
Here you
can see where I painted in the right hand man's boots. I used teensy
tiny scissors, cut out his boots, placed the stencil over the correct
spot, and painted in the boot outline. After removing the stencil, I
painted in more light and shadows to make the boots look
like....boots!
This
painting has been a blast to do.....and as always....I learned a lot!
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