Drunk on
Color, part Deux
This
blog post is a continuation of my “ode to colour” for the
painting in progress, “Lady Bugs:3, Thrasher; 0”
Last
time I wrote about the joys of painting colorful foliage in the far
background. I painted this foliage in opaque colors, using a
progression of hues from light to dark values. This kind of painting
has a unique charm all it's own. It is direct, in other words
“WYSIWYG” (What You See Is What You Get) and yet the progression
of values of the colors is planned.
In this
next segment of the painting, I switched to my current favorite
painting style, acrylic glazes. This style of painting is similar to
Photoshop layers of colour, with the medium an acrylic glazing medium
rather than the layers in the computer program. This takes multiple
layers painted separately and dried, before the next layer is
applied. This avoids muddying of colors that can sometimes happen
when painting opaquely.
This is
the mid ground section composed of fall dogwood leaves, backlit in
morning sunlight.
A layer
of hansa yellow and quinacridone crimson have been applied. The
fluid acrylic paint has been mixed with an acrylic glazing liquid
that thins it without diluting the color load of the pigment. The
finish of the paint film has a slight “tooth” and is not rubbery,
like normal “full bodied” acrylic paints.
I laid
in more layers of the crimson, with additional hints of yellow and
green:
And
finally I laid in a third layer of colours, including some purples
(mixtures of crimson and cobalt blue) and greens. I laid in some
detailing of leaf veining, and leaf outlines.....but didn't want too
much detailing to derail the middle ground illusion.
I
usually try to paint “locally” i.e. concentrate on individual
portions of a painting, but try to remain aware of the “global”
aspect of the painting.....i.e. How each segment relates to the whole
“illusion of reality “of my paining.
It's
been fun to use two different styles of painting, opaque and glazed,
in the same painting. They do two different jobs, background and mid
ground quite well. Next time I'm pulling things altogether with the
focal point.
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